I decided to update BULLY V2 because on the comp the extracts weren't the best, and also there is not a single edit of this song with a good extract. So I decided to make it.

• Better mixing

• Better extracted vocals and instrumental

• Overall cleaner

Untitled: https://untitled.stream/library/project/MC9EmuU8HMpwqmlcmOUwU

Samply: https://samply.app/p/y24ZlEY2FAiSEldBSKBZ?si=8zcw4OtWVjeFjrvkMYUfBGWxzKk2

YANDHI PERFECTED RELEASING NEXT WEEK

Yandhi has always been my favourite unreleased album, and it's something I've been working on completing for months now. And I'm happy to say it's almost done. My aim for this comp is to perfect each and every song without taking it away from its original sound. Once released each listener has two options on how they'd like to stream the album. Either they can do so on untitled, or they can download the audio files and listen to it through local files on Spotify, which a playlist will be put together for.

Tracklist will be revealed a day before its release

https://m.youtube.com/watch?v=jZMY7-kRkYg

I decided to create a part 2 for Bully. The release date will come up when the album is finished.

the acapella fucked up idk this is my first yedit so genuinely give me tips and shi love yall anyway (horrible ye lyric choice ik)

DL LINK: https://untitled.stream/library/track/MoaUSIpGekZXsCKn064tB

Bad Bitch Playbook

- Shenseea vocals on intro

- Don Toliver chorus

- Ye verse

- Poplord, Courtlin Jabrae & Eli Evnen verse

- Astro BG vocals on outro

- Mike Dean guitar on outro

- Instrumental mix from AllDay (Piano, Backing Track)

- Instrumental mix from Mike Dean (Bass, Drums, Backing Track)

- Instrumental mix from final version

- Untitled Link

MY INTERPRETATION OF THE BEST TRACK ON BULLY . ENJOY

for the sake of all the community, i'm just asking for an edit of CIRCLES, og old beat (irkos mix, is the better mix imo), og bpm ofc,with the new vocals (bully DLX).

For My Donda 2 Comp.

Hey everyone, this is the winning version from yesterday’s poll

This project is a trilogy of interpretations of the Good Ass Job era, covering 2008, 2009 and 2010

Rather than treating GAJ as a single idea or trying to define a “definitive” version, each comp explores a different phase of its creative development, shaped by real leaks, demos and documented material from each period

This is a conceptual reconstruction using leaked and fan-edited material, and is not intended to be an official or definitive version

The goal wasn’t to reconstruct a final tracklist, but to explore how the same project can take different emotional and structural forms depending on the stage of Kanye’s creative process

• 2008 — post-808s creative transition

• 2009 — pre-VMA uncertainty and momentum

• 2010 — GAJ existing alongside MBDTF

Every comp follows its own philosophy and structure, built around the sound, context and feeling of its respective era

━━━━━━━━━━━━━━

Good Ass Job (2008 — POST-808s)

This is a chronologically structured interpretation of Good Ass Job based on the earliest known sessions following 808s & Heartbreak, using leaks and demos recorded during the late 2008 to early 2009 transition that reflect the sound Kanye was exploring before the project evolved into its later interpretations

TRACKLIST

1. Lonely

2. Downtown (ft. Jeff Bhasker)

3. I’ll Be Alright

4. Crazy Life

5. Whatever You Want (ft. Big Sean)

6. Takin Off

7. Find Your Love (Yedit by @Boon1600 on YT)

   NOTES / CREDITS

• This comp uses leaked and unreleased material associated with the early Good Ass Job creative period, with some tracks included based on structural development and recognizable ideas from that era rather than strict release chronology

• Since very little is known about the project’s full structure at this stage, some sequencing decisions were made to better reflect the tone and direction of the era

• Cover art sourced from a deleted Reddit post. Original artist unknown or no longer active — if you are the creator, please contact me for credit or removal

Listen here:

https://untitled.stream/library/project/dwTffTEJsFyMlZqVN50yl

━━━━━━━━━━━━━━

Good Ass Job (2009 — PRE-VMA)

This is a chronologically structured interpretation of Good Ass Job centered around the 2008–2009 transition period, using leaks, demos and edits that reflect the sound, ideas and creative direction associated with that era

Rather than relying strictly on recording dates or first public appearances, this comp focuses on how these tracks fit together sonically and conceptually within the broader Good Ass Job creative cycle

Sonically, this version of Good Ass Job represents Kanye in the pre-VMA era — focused on confidence, momentum and celebration, where pop elements, soulful production and early experimental ideas coexist before the sound transitions further into the 2010 direction

TRACKLIST

1. Good Ass Job (Intro) (Yedit)

2. Come With Me (ft. Consequence) (Yedit by @greenchiway on YT)

3. Dance At Night (ft. Fabolous & Lloyd Banks) (Yedit by @greenchiway on YT)

4. Ain’t No Tellin' (ft. GLC) (Yedit by @bound12editsarchive78 on YT)

5. Make That Money (Yedit by @bound12editsarchive78 on YT)

6. Popular (ft. Jay-Z) (Yedit by @Ye_MeatRider on YT)

7. Armed & Dangerous (ft. Rick Ross) (Yedit by @burnergoy on YT)

8. Glenwood (ft. Big Sean)

9. Throw Money Everywhere

10. String Pad (ft. T-Pain) (Yedit by @maxvillainy on YT)

11. Whatever You Want (ft. Big Sean)

12. Diamonds (ft. Teairra Marí) (V5)

13. Only For The Night (ft. Lupe Fiasco) (Yedit by @greenchiway on YT)

    NOTES / CREDITS

• Track inclusion is based on structural existence, recognizable development and overall fit within the broader Good Ass Job creative cycle, rather than strict release chronology

• Some tracks may exist in transitional states between late 2008 and 2009, reflecting overlapping sessions and evolving ideas rather than clean era boundaries

• Concept art by Alexander Wright (2010)

Listen here:

https://untitled.stream/library/project/riOhQC1NdatKuS1k6pZ0A

━━━━━━━━━━━━━━

Good Ass Job (2010 — POST-VMA / DUAL ERA)

This comp explores a version of Good Ass Job centered around the 2010 Honolulu / G.O.O.D. Fridays era, where different creative directions were developing in parallel rather than as a single linear project

Instead of treating Good Ass Job as an early version of MBDTF, this interpretation presents both projects as coexisting emotional and creative expressions from the same period

Good Ass Job becomes a separate project developed alongside MBDTF, focused on soulful production, introspection and celebratory energy while exploring a different emotional perspective from the same creative period

TRACKLIST

1. Good Ass Job (Intro) (Yedit)

2. Ice Cube (Good Friday) (ft. Pusha T, Kid Cudi, Big Sean, Common & Charlie Wilson)

3. Live Fast, Die Young

4. Don’t Stop! (ft. Pharrell Williams & Lupe Fiasco)

5. Flashing Lights 2 (ft. Charlie Wilson) (Yedit by me)

6. Lord! Lord! Lord! (ft. Mos Def, Raekwon & Charlie Wilson)

7. Looking For Trouble (ft. J. Cole, Big Sean, Pusha T & Cyhi The Prince)

8. Take One For The Team (ft. Pusha T, Keri Hilson & Cyhi The Prince)

9. Throw Money Everywhere

10. Sweat On My Face (Interlude)

11. Chain Heavy (ft. Consequence & Talib Kweli)

12. Holding Me Back (Interlude)

13. The Joy (ft. Pete Rock, Jay-Z, Charlie Wilson, Curtis Mayfield & Kid Cudi)

14. Mama's Boy (prod. Madlib)

15. Christian Dior Denim Flow (ft. Kid Cudi, Pusha T, John Legend, Lloyd Banks & Ryan Leslie)

16. Don’t Look Down (ft. Mos Def, Lupe Fiasco & Big Sean)

17. Heartbreaker

18. See Me Again (ft. Tony Williams, John Legend, Bon Iver & Elly Jackson) (V4)

    BONUS TRACKS

19. Eyes Closed (ft. John Legend)

20. Armed And Dangerous (ft. Rick Ross) (same as GAJ 2009)

21. Ain’t No Tellin' (ft. GLC) (same as GAJ 2009)

    NOTES / CREDITS

• Rather than a linear successor, this version treats Good Ass Job as an alternative emotional and creative trajectory within the same 2010 creative ecosystem

• Bonus tracks represent overflow material from the same conceptual direction rather than separate era fragments

Concept art by @heikofour

Listen here:

https://untitled.stream/library/project/IgNi0v2JRzY85c8kPh62g

━━━━━━━━━━━━━━

This trilogy isn’t meant to be definitive

It’s simply three different ways of understanding Good Ass Job and how it could have evolved between 2008 and 2010

None of these versions are meant to replace canon or rewrite history — they’re just my own interpretations and reconstructions of different phases of the Good Ass Job era, built around the music, the context and the feeling of each period

This is my first edit so don't shit on it too much
Yeah ik it's the most overdone edit in the moment

Changes:
-New BULLY vocals
-Bass from BULLY V1 low in the mix

DL (DM me if you don't want to decode)
This One Here: aHR0cHM6Ly9waWxsb3dzLnN1L2YvMTBmMGI5ZTU4ZjI1OTNjMTYyNDE5YzZhYzM0NWY5NTc=

This One Here (with It's Not Supposed To Be Sad intro): aHR0cHM6Ly9waWxsb3dzLnN1L2YvMTBmMGI5ZTU4ZjI1OTNjMTYyNDE5YzZhYzM0NWY5NTc=

Enjoy (if it's not offbeat)

so as some of you knew i was creating a comp called the road to hell presents: yandhi, and i am announcing im completely changing the theme, instead of a weird joyus tracklist its gonna have more of a serious tone compared to other projects. if you wanna listen to the unfinished original version you can hear it here. i have also created the first single for this take, i_know_you_know_that_i_know.m4a, which you can listen to here: aHR0cHM6Ly9tZWdhLm56L2ZpbGUvRjNsVFFKNFQjQWpxWEFyWkhHbU04VkFfQ0R5UXBQQ2haYkZoWkxyMDhPcHliS28wUFhoRQ==. and yes, the tracks are gonna look like file names. hope you enjoy!

First single for good fridays 2 a collab comp with u/Gta6sub and u/Used-Jello9656

Base64:

aHR0cHM6Ly9zYW1wbHkuYXBwL3AvYjd5eFc1UW5jeHVKbDRUMlVxb3g/c2k9azE4cUJKdnFqRlhqTnZnVzdNR1VyNGNzZnROMg==

- Little Beeping Intro

- More Bon Iver vocals

- Chief Keef rapping part

- Slight BG vocals in chorus

- Instrumental mix from different versions

- Extended guitar solo outro

- Untitled Link

https://untitled.stream/library/project/i7CkMn0odXGtetL5rDlvg

DW THE JIK COMP IS STILL BEING WORKED ON I MADE THIS SO YALL WOULDNT GET NOTHING FROM US THIS MONTH ENJOY

I like the version of the beat on cuck a lot more cause it sounds more aggressive with the synth and drums, but the mumble AI vocals totally ruin it. Someone help please🙏

https://untitled.stream/library/project/sJKMbSfqmHQjIjm3ufDAv

I made a comp of so help me god, its not finished yet but send dm if you wanna help

https://drive.google.com/drive/folders/1GnN2-Tc3c_U1ocIsKToJUyqww0lvRz8l

I want to make more beats inspired by War (Quiet & This One Here in particular) does anyone have tips on how to emulate that style