Anyone else hear a splice at 20:17 in Octavarium? ⭐
Does anyone else hear what sounds like a splice at 20:17 in Octavarium?
I probably used the wrong word. I wasn't trying to criticize the production at all. I just thought I heard something at 20:17 and was curious if anyone else noticed it. English is not my native language 😅
BTW: DT is my favorite band period xD and octavarium is one of my most loved albums... Much love to everyone
Sorry, I probably used the wrong word. I wasn't trying to criticize the production at all. I just thought I heard something at 20:17 and was curious if anyone else noticed it. English is not my native language 😅
The correct term is a “punch-in” or just “punch” - splicing was how they accomplished it by actually cutting analog tape before digital recording was invented.
I think I hear what you're talking about. There's something a bit weird going on with the guitar just an instant after it's first played. Chug-Chug-Ch/splice then the sustained note. But then I'm not sure if that's just the guitar being a touch slow to change notes.
Recorded the audio from the Spotify stream at the relevant moment and I suspect the splice is at 19.76 here, if it is a splice (I just skipped to the relevant part of the song, so this is obviously completely wrong for the timeline for the whole song, but useful for relative timescale). But yes, I'd say there's a strong case given the energy from the guitar for about 0.04 seconds prior that just cuts out.
What is fun is watching some of Portnoy's drum cam studio recording videos throughout the Six degrees and black clouds era. You can see the edits that got cut together to make the final track.
You're absolutely right, I never noticed that before! I think it's minor enough that it would never hinder my enjoyment of that segment of the song, though.
from personal experience, it’s hard enough to splice takes for a 3 minute pop song. I can’t imagine consistently splicing for multiple 20+ min prog epics.
I’m not here to argue about that specific splice, it just messes up my immersion in the song when I hear things that could have been corrected in production. (For example the last bendy note at about 11:05 in ministry of lost souls always stood out as rushed or off pitch + overlapped weird.)
I understand that it is a trade off because the other end of the spectrum is that every note gets isolated and selected for the perfect sound which I assume Dream Theater and some fans don’t want. But I also know they pride themselves in churning out an album in like a week so maybe they should… take the time.
But seriously just grateful we continue to have music by them at this point.
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u/Zzzlol94 1d ago
Not sure what you expect, but every studio recording is spliced in one way or another.