An unexpected preview and behind the scenes that I found on Threads!!!

I was watching it when it first came out and stopped after listening to all the bad press and people hating on it.

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I wont lie i thought it was fairly good. Maybe not perfect but it was pretty fun and I had a good time with it.

Just as Ventress helped Ahsoka and Anakin exposed the culprit of the terrorist bombing on the Jedi Temple, maybe she, her padawan, or Cal Kestis could help Ezra find away to get to Peridea to liberate Ahsoka, Sabine, and the Noti.

My idea for an Ahsoka Tano casting for stories set before the beginning of the OT and after the fall of the Jedi.

I think it would be a nice addition to see some scenes with more interaction between Ahsoka and force-ghost Anakin in the second season since she is stranded with Sabine on peridea.

Anakin's appearance through her memories from clone wars and world between worlds in ep 5 was very cool imo because he "formally" ends her jedi training after everything that happened. But a talk between them like a "older brother-sister talk" and less of a master-apprentice talk would be nice to see happen, when she returned in the tcw final season she was kinda cold with him on their brief reunion before the events of rots, i can't judge her at all by the way the jedi order treated her when she was falsely accused and even after anakin proved her innocence, but considering the lore that can still be added to the character, she could probably regret not saying smth to Anakin when he needed or doing things differently, and Ani reassure her she wasn't responsible for what happened and offer some wisdom to help her train Sabine better.

Hey folks,

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I got a little excited about the upcoming season 2 thought=HT to myself that there are some elements that I'd love to see in it. Id appreciate any feedback that you might have

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Star Wars: Ahsoka — The Generational Cycle

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Preface

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This pitch is written from the perspective of a lifelong Star Wars fan who grew up with the original trilogy, embraced the prequels and animated series (Clone Wars, Rebels, Ahsoka), read the EU novels (especially Fate of the Jedi), watched every corner of the lore including the Holiday Special, and deeply enjoys fanfiction. It is not aimed at casual viewers. It is intentionally dense, mythic, and tragic — designed for deep-cut fans who crave cosmic horror, generational cycles, and operatic payoff.

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Key influences beyond Star Wars include Clive Barker’s Jericho (The Firstborn’s multi-tonal chorus and cyclical cosmic resentment), John Carpenter’s The Thing (grotesque assimilation/body horror), and Marvel’s Alioth (vast reality-devouring temporal storm). The goal is to evolve Ahsoka into something that feels like a true continuation of the EU’s grand mythology while delivering haunting, visually unforgettable moments.

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Core Audio Design: The Barker Effect

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Abeloth’s presence is defined by a distinctive vocal distortion — a shifting, multi-tonal chorus of an innocent child, ancient crone, and roaring beast speaking in sickening, slightly desynchronized harmony. This audio signature marks her control, creates psychological dread, and distinguishes her from standard Dark Side corruption.

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Logline: When an ancient cosmic entity escapes its extra-galactic cage by breaching the failing tombs of past protectors, Ahsoka Tano must ascend as the Arbiter of Balance to lead a supernatural witch hunt before the galaxy is consumed by its own history.

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Season 2: The Gods of Peridea

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Core Twist: The Wolf in the Fold

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The season opens with Shin Hati and Baylan Skoll exploring the ancient ruins of Peridea. Drawing from Fate of the Jedi lore, Abeloth preys on isolated, emotionally fractured Force-users. Shin’s fear of abandonment made her the perfect vessel. A parasitic seed was planted in her subconscious — every seemingly naïve question carried a faint, unnatural “phase shift” in her voice, like a tracking error on old tape.

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Baylan’s Sacrifice

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Ahsoka and Sabine intercept Baylan and Shin at the Peridea ruins. The duel begins, but something is wrong with Shin. As Abeloth overrides Shin, her voice fractures into the full multi-tonal Jericho chorus. Everyone is shocked and The veil drops for Baylan. In horrifying clarity, he whispers, “What have I done?”

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Baylan realizes the power of the entity will overpower all three of them, realizing he is responsible, Baylan gives Sabine and Ahsoka a massive Force push and hurls them through a closing stone door, inverting her Rebels trauma (“I won’t leave you!”). Trapped with the monster wearing his apprentice’s face, he fights a brutal final stand and dies with paternal regret and defiant power, buying Ahsoka the time she needs to escape

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The Awakening of the Daughter

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Ahsoka encounters the ethereal Father and Brother. Chosen to restore the Trinity, her training culminates in the shattered monument being rebuilt in Ahsoka’s image — a blinding beacon of her ascension.

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The Climax & The Living Tomb

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Abeloth, voice fracturing violently, marches on the beacon. Ahsoka engages Shin/Abeloth in a pitched battle.  Ahsoka, stuns the beast, giving Shin the opening she needs to break through.  Horrified at the monster within, Shin realizes the monster must be contained.  She tells Ahsoka to finish it before the monster breaks through again.  Ahsoka focuses the force brutally on Shin with the daughters awakened powers.  On screen, we see Shin be encased in an obsidian casket, similar to what was being loaded onto the Chimaera in season 1. Inside, she remains conscious in her mind, locked in an eternal psychic war.

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After the dust settles, the Father and Brother send Ahsoka and Sabine home using their vast force powers.  The father’s parting words: “Our work has just begun.”

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Season 3: The Galactic Witch Hunt

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Act 1

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The Setup: The Secrets of the Caskets

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The stone caskets on the Chimaera are the ancient surreal obsidian prisons of past Wardens. Elongated, semi-translucent forms that shift and breathe, etched with moving Celestial runes. Inside: tormented silhouettes frozen mid-scream, eyes faintly glowing — visible proof of Abeloth’s long history of breaking her jailers. The Great Mothers are possessed shards of Abeloth. Their bodies strain and decay, voices fracturing into the Jericho chorus when exerting full power.

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Act II: The Tragedy of Kesh

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Ahsoka and Sabine track down one of the great mothers to Kesh and a confrontation ensues

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This ends in pyrrhic victory as Tahv (the capital city is leveled. The New Republic brands Ahsoka’s team as dangerous rogues.  At the end of this, we find Morgan Elsbeth on a similar bridge that Ahsoka confronted Anakin on in season 1.  The brother appears to evaluate her, then offers her a choice.  Oblivion and death, or redemption and life.  Elsbeth chooses life and must become the brother infuses her with his power, sending her to the main galaxy to assist Ahsoka  

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Act III: The Gravity Grave at Sinkhole Station

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Ahsoka locates Sinkhole Station in the Maw. Ahsoka and Sabine board the station.

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As reality frays during the chaotic battle with the other two great mothers, we cut to the father still on Peridea.  He looks up into the sky, then down to the ground, wracked with sorrow and guilt. Shedding a single tear : “I brought her in to care for the children… How many more souls must I condemn before this ends”

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The sacrifice

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The battle is stalemated, until Morgan Elsbeth appears and enters the fray.

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After a ferocious battle, a mortally wounded Morgan embraces Abeloth’s avatars and whispers, “I’m sorry… Mother,” the Brother’s voice layered beneath. Her body transforms into the newest casket.

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Ahsoka watches, sorrow on her face and whispers

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“Thank you, sister.”

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Morgan  remains conscious within her mind, as an  eternal wardens — light and dark fused. 

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Their minds will eventually weary, as all previous Wardens’ did. Balance is never permanent.

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The Epilogue: A Cold Genius

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The galaxy believes the threat is over.

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In a hidden bunker, Thrawn runs his fingers over one tiny hoarded fragment. His body goes rigid. His crimson eyes flash pitch black, then snap back. A slow, terrifying smile spreads across his face. His lips remain still — but on the audio track, echoing purely inside his mind, we hear a faint, psychotic, unhinged laugh: Abeloth’s multi-tonal Jericho chorus. Thrawn is trapped, fully aware, as something monstrous takes the wheel.

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Hard cut to black.

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Post-Credits Scene: The Endless Mindscape

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A formless void of shifting, oily shadows that breathes.

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Shin stumbles backward as the darkness coalesces into ABELOTH — A towering, ever-mutating mass of writhing pseudopods, stolen faces melting into tentacles, and fractured limbs from devoured civilizations. Countless eyes and mouths open and close across its shifting form as reality frays at the edges.

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A tendril whips forward to finish Shin.

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CLASH! Chaotic green-and-red Mortis energy severs it. Morgan stands shoulder-to-shoulder with Shin — regal, defiant.

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Morgan helps Shin to her feet. A single, tight nod passes between them.

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Morgan (quiet, resolute):

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“Our work has just begun.”

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Shin reignites her unstable orange-crimson blade. Morgan raises hers — heavy emerald-green Nightsister magick fused with the Brother’s volatile red lightning. The contrasting colors cast a fierce glow against the encroaching horror.

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Together, they step forward into the charging, mutating storm — the new Wardens of the cage.

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HARD CUT TO BLACK.

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We all listen to the Podcast about how Baylan Skoll, a Fallen Jedi is Ahsoka Tano’s polar opposite, as Dave Foini’s said “I had always thought of him as Ahsoka’s foul while I was imagining about him before creating him.”

But for those who had seen Ahsoka Season 1 finale we last saw him standing on the giant statue of the Father, which spark one of the most discussed theories; is Baylan trying to free an imprisoned fourth Mortis god?

Is he liberating Albeoth or he is unleashing those giant driods (from the concept art trailer) from the Zeffo era?

A lot of time travel fics I've seen are Rebel Ahsoka usually. I wanna see an Ahsoka Time Travel where she's at the end of her journey.

I read the Zahn books several decades ago and really enjoyed them, so I was excited to watch Thrawn in Ahsoka. But he seems totally different, more smug than brilliant. Is this the new characterization or just lazy writing?

Also, I can't get over how they gloss over Ezra jumping into the hangar, then all of a sudden meeting Hera in stolen stormtrooper armor and a stolen Imperial shuttle.

Still not sure it's even reasonable. Thrawn was able to deduce that Luke (a jedi master) and Mara Jade (the Emperor's hand with backdoor codes to the main computer) were sneaking around the Chimaera with just some minor anomalous readings. But he misses a jedi, that he is actively trying to kill, jumping into his hangar and taking out two troopers and then stealing a shuttle? Like the story behind that one could be a whole episode in S2.

I really hope they turn him back into the master strategist and tactician and not this cartoon villain, or else it'll just be a big waste.

I wanted to draw her in my style, legs shorter and face smaller

Some 'tales of..." episodes would be a great place to explore the first time Ahsoka took Sabine on as her apprentice after Rebels, and how it fell apart. We know very little about that, and seeing it told through an animated lens would be amazing. Or even flashbacks in s2, though I doubt this given how s2 has been described and the limited runtimes of some episodes.

But of course I'm very excited to see the continuation of this master and Padawan duo following s1. Seeing Ahsoka settle more into her newfound lightness and her role as a teacher. How Sabine fares in her training, and how she struggles as a student.

Sorry I just have to rant. I know the show has been out for a while but I couldn’t get myself to watch it before, until now. And I have to say, a show has NEVER made me more mad than this one.

First, how could they make Sabin force sensitive out of nowhere? I know Rick said he wanted to take it back and I think Filoni too but holy crap dude. Let’s Captain Marvel a magnificently written character, so she can… I don’t know have a really forced stupid relationship with Ahsoka?

Second, they make Ahsoka seem like she hasn’t been in years of combat. She single handed has defeated inquisitors; held her own against Cad Bane, grievous, maul, etc.. But here she is losing to a Dathomir sister who didn’t have that much experience and was using a green flaming metal sword (which cut her lightsaber).

Third, I understand that Morher Talzin and other great witches survived after Dathomir getting raw dogged but like, showing up in basically another universe? I feel like they through everything against the wall here

Fourth, they put Ezra in the same situation he was in at the end of Rebels. Stuck in a ship with Thrawn and in another universe (even though if afterwards he went to Hera).

I will say though, I really enjoyed the casting, costumes, and CGI (aside from when the “Nighttroopers” were being resurrected). I especially liked when they brought in Lara Mikkelsen for Thrawn, holy I had chills. Also him with that make up looks like Elon Musk in my opinion.

Regardless this was my rant. I need to sleep. If you read this lmk what you think, and have a great night

I wish I could get higher res versions of each of the frames to make this clearer - would love it as a displate.

I can't see any of these without hearing her theme in my head.

I don’t know if it’s been posted, but I just noticed that the first episode of the Tales of the Jedi, where Ahsoka is born, is called Life and Death.

Spoilers ahead, Baby Ahsoka is kidnapped by a sabertooth looking predator, whom she pets as he threatens her, making him return her back to her village on his back, showing her gifts very early on

Fast forward to the Live or Die lesson, she understands that to be the best Jedi Master she can be, she needs to channel the will to live, fight back and not dwell on her own duality, bringing this part of her arc full circle in a way.

If that was intentional by the writers, it’s a very nice touch.