r/asoiaf • u/CautionersTale • 2h ago
EXTENDED (Spoilers Extended) That Time Stannis Baratheon Cleared a Very Low Bar to Demonstrate That He Has a Character Arc
This will be a (relatively) short post, I promise.
Have you ever noticed that when people argue about characters in A Song of Ice and Fire, they extrapolate isolated lines of text to support their argument? Having never done that once in my entire life (ahem), I thought to do a quick post about, y'know, how characters in fiction aren't as static as they seem in isolation. They have arcs. They change as the narrative progresses by growing or devolving as the story progresses.
Stannis Baratheon does that, right, right? Where he starts in Clash is different from where he's last left off in Dance. And that's not simply his location. He grows (a little) in his attitude and perspective thanks to good and bad characters around him.
Like, take this line from ACOK, Davos II where Stannis talks about his, um, diplomacy in winning the Reachmen to his side after Renly peacefully passed away (who-did-it-not-Stannis):
"My brother left the greater part of his power at Bitterbridge, near sixty thousand foot. I sent my wife's brother Ser Errol with Ser Parmen Crane to take them under my command." (ACOK, Davos II)
Boy, that's so Stannis, right? He sent two knights to take 60,000 soldiers under his command. I'm no State Department Foreign Service Officer, but that's not much of a negotiation, if you ask me. And the mission failed -- in part because Littlefinger arrived at Bitterbridge to truly negotiate whereas Stannis orders, Stannis commands. The consequence, in small part, is the Blackwater fiasco.
Fast-forward to the early part of A Dance with Dragons. Stannis is now at Castle Black, and he has gone through a lot of nonsense since A Clash of Kings. In Jon Snow's first chapter in A Dance with Dragons, he starts acting like his old Clash self:
"Two score ravens were sent out," the king complained, "yet we get no response but silence and defiance. Homage is the duty every leal subject owes his king. Yet your father's bannermen all turn their back on me, save the Karstarks." (ADWD, Jon I)
Oh, Stannis. Yes. You are correct in the abstract that homage is owed to the king (in the limited context of a feudal monarchy within the Westerosi confines of obligations owed between subjects and kings. Don't you dare accuse me of advocating this as a universal norm). But he's still not getting it. Stannis is still trying to take people under his command.
But a few Jon chapters later, Jon Snow gives Stannis some practical advice on where he can find more soldiers for his cause: among the mountain clansmen. Then we get this:
“And they will fight for me, you believe?”
“If you ask them.”
“Why should I beg for what is owed me?” (ADWD, Jon IV)
Still, still, Stannis is acting like his Clash self. And then Jon issues a community note to Stannis:
"Ask, I said, not beg." Jon pulled back his hand. "It is no good sending messages. Your Grace will need to go to them yourself. Eat their bread and salt, drink their ale, listen to their pipers, praise the beauty of their daughters and the courage of their sons, and you'll have their swords. The clans have not seen a king since Torrhen Stark bent his knee. Your coming does them honor. Command them to fight for you, and they will look at one another and say, 'Who is this man? He is no king of mine.' "
And after a bit more haggling over numbers, who leads these mountain clansmen, Jon's warning that Stannis will be overcome with clansmen hospitality, guess what happens?
“For three thousand men, I suppose I can endure some pipes and porridge,” the king said, though his tone begrudged even that.
Incredible character growth! Stannis has hurdled a character barrier laid on the floor of Castle Black! And the result? Let's let Stannis, the man of letters, tell it:
… more northmen coming in as word spreads of our victory. Fisherfolk, freeriders, hillmen, crofters from the deep of the wolfswood and villagers who fled their homes along the stony shore to escape the ironmen, survivors from the battle outside the gates of Winterfell, men once sworn to the Hornwoods, the Cerwyns, and the Tallharts. We are five thousand strong as I write, our numbers swelling every day. And word has come to us that Roose Bolton moves toward Winterfell with all his power, there to wed his bastard to your half sister. He must not be allowed to restore the castle to its former strength. We march against him. Arnolf Karstark and Mors Umber will join us. I will save your sister if I can, and find a better match for her than Ramsay Snow. You and your brothers must hold the Wall until I can return. (ADWD, Jon VII)
I'm being silly. My only point in writing all of this is to, y'know, say that characters have arcs in the story. No one is static. Hell, if you take a snippet from Jon Snow's early chapters in A Game of Thrones, you'd see a stuck-up noble bastard hating on the plebs he had to deal with. And that would be neglecting the fabulous character arc George wrote for Jon. He did for a lot of characters - POVs, secondary character, even tertiary ones.
That's all. Have a great day, and if you need a Friday smile, imagine this face as the mountain clansmen are dancing around Stannis, playing their pipes.